recalcitrant

From: "love seat" <cbchrb@panda.fsnet.co.uk>
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Date: Thu, 7 Dec 2006 22:44:55 +0100
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What are your thoughts on that film and how were your experiences onthe
set of that movie?
But also we didn't know how to do it very well; we certainly messed the
first marriage up.
DVD Talk: Maybe it's the horror movie nerd in me but the drill press
scene in Incident made me think of Lucio Fulci. I didn't have a love
story story-line, which I completely ignored.

__

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__

You just have to take it in stride as much as possible. Ian -  How do
you feel about being remember as one of the most notoriouscinematic
villains of all time?
The animal trainers I selected were replaced.
It was a woman giving everyone a run for their money.
DVD Talk: What are your feelings about the film?
Someone eventually told me about it, and I've now recently been able to
see it, but I had no idea such a film existed at the time. Ian -  Since
The Texas Chainsaw Massacre you've worked on a lot of small, independent
genre films from Campfire Tales to Hatred Of A Minute. It is genuinely
frightening.
I came in for just a few weeks, but Pete and Dave kept finding other
things for me to do. I hear she's a bear to work with, but was also
going through some personal struggles with her father while filming.
Don Coscarelli: Thanks for the kind words about the DVD package. One
explains a lot about our heroine, Ellen and the other shows the villain,
Moonface, doing some dastardly things to the recently deceased.
More professional, and I started to get paid too!
It was like an old character with a totally new story, but a remake is
pretty much taking the originally story and redoing it. Kiyoshi
Kurosawa: At the time, I didn't even know about the film.
Where would you go from the ending of Ho Tep?
So, for other reasons, why did you cast her as your lead?
He really got wrapped up in the story of what it means to be a good
friend and not just floating down the river, but actually being able to
negotiate what you want but still be a good person.
Well Nascar is normally reserved for men so I was happy to see a female
lead rather than your typical young boy teenager who wants to race cars.
Is this going to happen?
I met Pete Lord and David Sproxton when they came to see me. It was an
original story that I devised that related to a theme that I was very
interested in at the time, which is the environment.
She does it in like one or two takes.
I just watched the DVD last night. These days, the characters have mouth
replacements which speeds up the process. DVD Talk: One of your great
strengths is your ability to blend genre filmmaking and high concept art
films.
In my screenplay, there are many moments where my protagonist has no
goal.
We had four animatronics cars.
Thisis the first time we have worked together since Chainsaw. AR: You
know it was actually incredibly bizarre.
The studio decided that my film didn't qualify as romance porno and
decided that they weren't going to release it. which was at Sundance.
AR: I was trying to figure that out because I
And in addition to that we had visual effects to augment the
animatronics cars and to do stuff that we couldn't physically do with
mechanical aspects. JP: Well, I'm twice and he also married somebody
else twice as well.
What he taught me was how to watch films, how to perceive them, not how
to make them.
Kiyoshi Kurosawa: Yes it's true, my film feature very passive
characters, but I think that's a very Japanese way to be. It's been
mentioned more than a few times that you're going to go back to the
Phantasm well one last time and shoot a fifth film, possibly with Bruce
Campbell in the lead. I actually really take my hat off to her for her
performance. It's a very effective technique.
On behalf of animations fans everywhere, DVD Talk wishes Richard and the
rest of the Aardman team a massive amount of success in their future
projects.
AR: I was trying to figure that out because I
The core of what he taught me is that films aren't just about
entertainment, but films are so vital and exciting that they are worth
spending your whole life exploring and examining.
Because the character is a blank slate, we can see the evolution of why
the character becomes who they become.

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