Phase IV stunt crew keep making boxes
while lighting and camera angles are adjusted.
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And still more boxes. I notice that they're placed in layers facing
different ways, presumably to distribute the force of the jumper more
evenly.
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Box layers are strapped together to prevent shifting.
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With a deep rumbling sound like a military vehicle, the large camera and
lighting cranes are brought into position.
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The camera crane is raised into place.
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One of the big lights on another crane that is helping to make
the real dark night look like movie-style lit-up night.
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The now-completed stack of boxes is covered with tarps against the
light rain that has started falling.
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Cameras are mounted on the ground (shown here), on the second floor
balcony and in the camera crane.
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The stunt crew give a last look around. By this time a fair size crowd has
gathered, standing patiently in the cold drizzle.
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